Behind it lies a tinkling keyboard arpeggio cascading throughout.
The carpet crawlers meaning.
The wool is soft and warm gives off some kind of heat.
Carpet crawlers is a rich evocative and seductive song and peter gabriel s vocal is pitched to match.
This seductiveness is one of the reasons that this is such an inviting song.
Lyrically the song tells the section of the album s story whereby rael the lead character finds himself in a red carpeted corridor surrounded by kneeling people slowly crawling towards a wooden door.
The fleas cling to the golden fleece hoping they ll find peace.
There is lambswool under my naked feet.
The carpet crawlers are momentary figures in the exposition of central characters rael and his brother john.
We referring to humankind in a general sense.
But there is still an overall theme which can be derived from the song which is that the titular carpet crawlers are representative of a large segment of society who desires to get in to get out.
The carpet crawlers is a song by the english progressive rock band genesis recorded for their sixth studio album the lamb lies down on broadway.
The carpet crawlers first appeared as the emotional centerpiece of genesis 1974 double lp the lamb lies down on broadway.
It s the album s most visually vivid piece with frontman peter gabriel.
Rael dashes by them towards the door and goes through it.
The carpet crawlers also sometimes listed as carpet crawl the carpet crawl or carpet crawlers is a song originally from the 1974 genesis concept a.
A salamander scurries into flame to be destroyed.
It is an abstract ideation of figures crawling along a carpet in a nether world.
It reminds me of being at the beach and also being in the hinterland of the beach.
Mike rutherford and tony banks wrote most of the music with the help of peter gabriel.
One amazing and cool song by genesis that for me it s about a foreign southern kid coming in and out of the new strange land of the north boston new york etc looking up in amazement and tripping on his feet then looking down and seeing all of those old carpet baggers coming out of the woodwork where he s also imagining and thinking how in the hell he s going to shake off all of those carpet baggers that manage to crawl on his back and get out of their weaving maze.
The carpet crawlers could suggest babies and they grow up and start the birth process all over again and that s where we ve got to get in to get out refers to i believe.
It is low and intimate like vocal chocolate.
They re moving in time to a heavy wooden door where the needle s eye is winking closing in on the poor the carpet crawlers heed their callers we ve got to get in to get out we ve got to get in to get out.
Imaginary creatures are trapped in birth on celluloid.
It is an exploration of topography and place.